For this design, I drew inspiration from Mesoamerican culture, more specifically that of the Maya and the Aztecs. During their classic periods, these different civilisations often depicted flowers. I built this drawing on those depictions, while respecting the code of the sacred Maya numbers:
Four, for the sides of the field.
Five, for the points of the pyramids.
Twenty, for the days of their calendar.
The whole piece is done in dotwork, like the ritual art sculptures and many engravings found around the world.
For this design, I drew my inspiration from Mesoamerican culture, and more specifically from that of the Maya and the Aztecs. During their classic periods, these civilisations often depicted flowers. I built this drawing on those depictions while respecting the code of the sacred Maya numbers:
Four, for the sides of the field.
Five, for the points of the pyramids.
Twenty, for the days of their calendar.
The whole piece is done in dotwork, like the sculptures of ritual art in many carvings around the world.
For this design, I drew inspiration from Mesoamerican culture, more specifically that of the Maya and the Aztecs. During their classic periods, these different civilisations often depicted flowers. I built this drawing on those depictions, while respecting the code of the sacred Maya numbers:
Four, for the sides of the field.
Five, for the points of the pyramids.
Twenty, for the days of their calendar.
The whole piece is done in dotwork, like the ritual art sculptures and many engravings found around the world.
For this design, I drew inspiration from Mesoamerican culture, especially that of the Maya and the Aztecs. During their classic periods, these civilisations often depicted flowers. I built this drawing on those depictions, while respecting the code of the sacred Maya numbers:
Four, for the sides of the field.
Five, for the points of the pyramids.
Twenty, for the days of their calendar.
The whole piece is done in dotwork, like the sculptures of ritual art and many engravings around the world.
For this design, I drew inspiration from Mesoamerican culture, especially that of the Maya and the Aztecs. During their classic periods, these civilisations often depicted flowers. I built this drawing on those depictions, while following the Maya code of sacred numbers:
Four, for the sides of the field.
Five, for the points of the pyramids.
Twenty, for the days of their calendar.
The whole piece is done in dotwork, like the ritual art carvings seen in many engravings around the world.
For this design, I drew inspiration from Mesoamerican culture, especially that of the Maya and the Aztecs. During their classic periods, these civilisations often depicted flowers. I built this drawing on those depictions while respecting the code of the sacred Mayan numbers:
Four, for the sides of the field.
Five, for the points of the pyramids.
Twenty, for the days of their calendar.
The whole piece is done in dotwork, like the sculptures of ritual art in many engravings around the world.
For this design, I drew inspiration from Mesoamerican culture, especially that of the Maya and the Aztecs. During their classic periods, these civilisations often depicted flowers. I built this drawing on those depictions, while respecting the code of the sacred Maya numbers:
Four, for the sides of the field.
Five, for the points of the pyramids.
Twenty, for the days of their calendar.
The whole piece is done in dotwork, like the ritual sculptures and engravings found all over the world.
